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Četiri večeri, trideset pesama, Ariston kao nacionalni hram u kom se istovremeno moli, svađa i tvituje, i ona čuvena italijanska sposobnost da se pravi da je sve pod kontrolom dok se u pozadini čuje...
Cuatro noches de Teatro Ariston, treinta actuaciones, litros de laca, trajes que cuestan lo mismo que un piso en Cuenca y esa sensación colectiva de “esto es arte” mezclada con “esto es un reality pero...
Four nights, thirty songs, one theatre that looks like it’s powered by hairspray and unresolved feelings, and at the end of it all the Teatro Ariston curtain finally came down with Sal Da Vinci crowned winner of Sanremo 76 with...
Sanremo’s covers night is the one evening a year where the festival stops pretending it’s a tidy competition and fully embraces its true nature: a glamorous group project with catastrophic potential. One minute you’re watching...
Sanremo’s third night is where the festival stops pretending it’s merely “a celebration of music” and quietly becomes what it always was: a national obsession with a scoreboard, a microscope, and enough adrenaline to...
Sanremo doesn’t “settle in”. It locks in. Night one is the grand parade where everyone arrives, waves, and tries not to look like they’ve forgotten how to breathe. Night two is where the festival quietly...
Sanremo has started, which means Italy has collectively agreed to stop functioning normally for a week and to treat a song contest like it’s a national referendum with sequins. Night one of the 76th Festival...
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